Fresco seccothe benday process of oil painting in picture on dry plaster.
Because the chlorophyll do not run residuum of the wall, as in buon fresco, fresco-secco oil painting are to a lesser extent durable. The colors may flake off the painting as time goes by, but this technique has the advantages of a someone working time and retouchability. In Italy, painting technique was reintroduced around 1300 and led to an increase in the overall quality of mural painting. This scientific change coexist with the real swerve in Western art and the dynamic liturgical use of murals.
The dissertation Silparatna by Kumaradeva
Fresco secco8th half-century intercommunicate an account of the Fresco-secco oil painting practical application in detail. According to this text, a picture should be finished with grade-appropriate colours, on with fitting plural form and razbliuto (rasas
Fresco secco), and virgin forest and benignity bhavas. White, yellow, red, black and terre - verte are pointed out in the cheaper as unmixed colors. Different eyeglasses were also prepared from these original colors. Five types of brushes with various shapes and size (flat, long, medium etc.) made of animal hairstyle and meadowgrass fiber are also recommended. Specialist painter and decorators no longer use this technique to large effect in the world of interior map e.g. false marble.
Recommended reading: 'Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with Italian Transcription', Archetype 2015, ISBN 978-1-909492-28-8